After a 2.5 hour trek across frozen farm country in Iowa and Minnesota, I cross the Mississippi River into Wisconsin and spend several hours at one of the preeminent guitar stores in the U.S.
I play finger-style country blues and those of you who’ve read this weblog know that… I take lessons at my local shop which is an excellent guitar store and the community is blessed to have it… After one of my lessons a couple of years ago, I decided to noodle around with a resonator guitar and the shop had a modestly priced Fender that I picked up and tried out.
The Fender was a wooden bodied resonator with nice low play so that fingering the guitar was quite easy. I played through a few of old country blues tunes on the resonator and was smitten. I loved the bonk and splang of the guitar. I decided then that I would acquire a resonator, and guitar snob that I am, I was not inclined to purchase a Fender… Instead, I wanted a National because those guys invented the resonator… Well… it’s a little more complicated then that… I think the National/Dobro company that originally produced the resonator went out of business for some years, and was reconstituted as a manufacturer of resonators in 1989, but for all intents and purposes, it’s symbolically and culturally the same company, as they build their guitars just like in the old days and have added new innovations too along the way…
Fortunately for me, eminent country blues performer, award winning recording artist and resonator aficionado Catfish Keith gave me some basic beginner’s points on shopping for a resonator. He recommended a single cone guitar that fell into the Duolian or Triolian class as a good place to start. Keith also is a representative for National Guitars and will sell you anything in their product line. At this point, I was thinking a pre-owned instrument was my best choice to save some money and thanked Keith for his help.
National guitars were not to be had in Cedar Falls, IA, so I jumped into Reverb world for the first time and found a pretty good deal on a “mint” steel bodied NRP Black Rust that was designed to emulate the original Duolian steel guitar that famous bluesmen like Son House played. It was perhaps a bit too adventuresome on my part to buy an NRP without ever having played one, and when it arrived I was appalled at how high the “action” or string play from the fretboard was and how heavy the instrument settled onto my lap. To save my life, I could not fret the neck properly to play finger style on the NRP and was pretty distraught until I decided I would learn to play bottleneck style to justify the purchase!
Now, I really like playing bottleneck and will always remember that the NRP led me down that path… I was so enthused by bottleneck playing, I decided to broaden my tonal range by purchasing a wooden bodied resonator and again through Reverb received a “mint” conditioned National Reso-Rocket WB (wood body). I loved this guitar to the point that I rarely picked up the NRP anymore, and when I did the splanky overly metallic sound compared to the woody/mellow toned Reso-Rocket put me off…
Recently when my guitar teacher learned I wanted to dump the NRP, he was initially apoplectic, defining the NRP as one of the “coolest” guitars ever; however, after hearing me play my WB and also playing it himself, he thought it was a more natural axe for me given my style and sentiments.
So, recently I tried to sell the NRP by consignment at my local shop, but that did not work out… I concluded after a brief experience that there was a low probability of selling an expensive resonator in Cedar Falls. I took the guitar back home to keep, but it sat there barely being used like a sore tooth and I eventually took another route to rid myself of it.
Some years earlier, I was informed by the local guitarati that a wonderful guitar shop (Dave’s Guitar Shop) existed in La Crosse, Wisconsin that not only had a huge selection of guitars (over 2500 according to their website), but in addition, Dave has an enormous personal collection of specialty guitars (over 500) on display up on the second floor that contains some of the most interesting and rarest guitars and amplifiers on the planet Earth.
Besides being a leading dealer for Gibson, Fender, Martin, Gretsch, Taylor, National and PRS etc., Dave’s also has a brisk trade in used and vintage guitars. In fact, they have a no muss/no fuss electronic form to submit to get an estimate of the trade value for your guitar, which is I what I did last Sunday night for the NRP.
The very next day, they offered me a straight cash exchange or a better deal if I rolled the money over into a new purchase. So, being retired and healthy and having all the time in the world, I took off on a cross country drive the next day to visit Dave’s Guitars. Fortunately, for me the terrible weather over the past several days had abated temporarily so I had safe driving for the 2.5 hour trip.
Frankly, 2.5 hours through frozen tundra was a long drive, but it was exciting to finally cross the Mississippi into Wisconsin, enter La Crosse, and find the guitar store practically on the riverbank. The shop itself is a substantial two story building. It was impressive from the outside. I was told by my contact, a fellow identifying himself as JR to find him in the “acoustic room.”
So I entered through the double doors and landed in the electric guitar space. You can see in the image to the left, some of the Gibson ES models for sale. Well, I marched through the electric guitar space and was directed to the right side of the main floor where the acoustic room was.
Besides the store staff, I noticed mostly alte kakers (yiddish for old duffers) like me patronizing the store. One might conclude that lots of alte kakers play guitar and like to hang out where they’re sold!
Well… my man JR had to take care of a pair of alte kakers before he could meet with me, which was fine as I found a stool and took in the world around me. As you can see in the image below, I was surrounded by choice acoustic guitars, including, Collings, Santa Cruz, Gibson, Martin and Taylors. Not being in the market for an acoustic guitar because I own two lovely Taylors, my eyes sort of glazed over… the sheer number of high end, premium factory produced guitars was just overwhelming…
In fairly short order, I had the full attention of JR and the first thing he did was look over and “test out” the NRP whilst plugged into an acoustic amp. Then he went “all airline” and starting plugging away at his computer, until he made a final offer, which was actually higher than the initial one given to me the day earlier via email. I was pretty delighted and took the deal to roll the “offer” into a replacement guitar, either pre-owned or new depending upon how my search went. The guitars I was considering during my drive over were as follows: (of course only one would I purchase)
- The National Reso-Lectric, because it looked and sounded as cool as a cucumber when I did some online research. Plus, Dave’s had a used and new one so I could compare them and I had a fascination for this unusual appearing and sounding axe. I will speak to this try out momentarily below.
- The National M-1 Tricone Cutaway Wooden Body. As I said earlier, I already own a Reso-rocket WB, so I was concerned as to whether the M-1 sounded different enough to justify purchasing it. Further, I wondered how it could be amplified… my Reso Rocket WB has a hot plate installed and I want my guitars amplified when I perform. A tricone is more difficult to amplify and it’s probably expensive to do it well. Sadly, Dave’s just sold the last one in stock. It was a very cool guitar.
- Gibson ES 335. I play finger-style country blues almost exclusively and this guitar is a semi-hollow bodied electric classic; however, I own a lovely Taylor T3 Custom (flamed maple) with Vintage Alnico humbuckers and I wondered if they are too close to each other to justify getting one. I actually tried one out. It was a pre-owned “Custom Shop” guitar at half the original premium price, and it was very, very nice, but it did not capture my imagination. Further, I was also surprised how grubby it was, which turned me off… Is that a thing? Selling vintage guitars in grubby form to make them appear more authentic? Bad form…
- American Professional Strat. I do not own an electric guitar with single coil pickups though I have some that will split their doubled coiled humbuckers… As I said, I own the T3, and I own a Taylor T5z Pro which is very different from a Strat and finally I own a beautiful 2007 Taylor Solidbody Custom Walnut with mini humbuckers and a newly replaced neck… So the question was do I really need a Strat both for my own personal experience or to round out my stable of sounds? I decided at this moment no. I have enough electric guitars for the time being. If I ever buy a Strat one day, it will probably be at my local shop.
Princeton Reverb, similar to one I own…
Now for the fun part of the trip. At my kind request, JR pulled out the used and new National Reso-Lectrics and found me an amplifier similar to one I have at home, procured a cable, let me plug-in, and then he left me to my own devices, suggesting I seek him out if I need any help or information. I greatly appreciated that he did not hover over me.
So, I picked up the used Reso-Lectric first as I really wanted to like it because it was considerably less money then a new one, and it was clean as a whistle. Sadly, I did not like it very much… It was thin, whiny and shallow sounding. Although it had nice low string play, which made for easy finger picking, it was unforgiving when I played with my brass slide. Too clangy… I tried a ceramic slide… no better.
I began wondering then if the Reso-Lectric was the guitar I had hoped it would be. It certainly sounded nice on some of the Youtube videos where I’d seen it reviewed, but this one was a bit of a dog! Perhaps it needed new batteries, or a reset, or pickup adjustments, but I did not have the time or patience to fight through that battle… I unplugged the used guitar and set it aside.
Then I picked up the new version of the Reso-Lectric and plugged in. It looked virtually the same as the used one aside from some finishing details on the headstock and the color of the plastic scratch plate and pick up cover. But, this guitar was very friggin’ different… it had a deep throatiness to it that was missing on the first one I tried… this guitar could go low and swampy, which is where I like to be! The play was still accessible for finger-style which delighted me; however, there was enough action to easily accommodate the slide too. With all systems go, I happily played through some of my Open D repertoire and the more I played it, the more I was convinced that this was the guitar I would walk out with…
When I was playing the new version of the Reso-Lectric a fascinating thing happened to me. Several of the old duffers hanging around the store came by and congratulated me on my playing! I was astonished because I was somewhat insecure playing out in the middle of one of the biggest and most discriminating guitar shops in the Midwest… One gentleman came by repeatedly, complimented my playing, asked for advice and told me how much he learned by our interactions! Wow… But the kicker, was when a store guy dropped by and told me that I reminded him of Ry Cooder’s Paris, Texas movie soundtrack referring to the slower, more languid and accurate playing of the slide that I was producing… He said that it was rare for someone to play like I was performing in the store. I was really taken aback and thanked him for his kind words…
I’ve not seen Paris, Texas but looked up a sampling of the soundtrack on Youtube, which I post below. It’s quite nice and appeals to me and I can see some similarity in how I approach playing slide. I am definitely not in the same universe as Ry Cooder, but it was nice to be compared to him in such a manner.
After I played for quite a while, I decided to take the Reso-Lectric home with me and asked JR to prep it for sale. There was a bit of schmutz (yiddish for gunk) that he cleaned off on the shiny metal parts and he performed a slight adjustment to the neck.
It really is a fascinating looking instrument. There is an art-deco sensibility to the design and the control knobs remind me of a 1950’s era kitchen toaster! Combine the sunburst finish with the resonator cone cover and the aforementioned flourishes and you have a completely unique looking axe.
For all intents and purposes, the Reso-Lectric is a hybrid acoustic/electric guitar. The combination of an acoustic designed piezo pickup under the biscuit where the strings rest on the resonator cone, and the traditional electric P90 single coil up near the neck gives the player a fairly wide ability to influence the tone along the acoustic/electric spectrum. Combine the guitar controls with a Princeton Reverb Amp, echo delay, octaver, and tremolo pedals and it can create quite an alluring sound when played with a slide! Below you can see the guitar ready to go…
If you’re interested in learning a bit more about the Reso-Lectric, I embedded below a factory tour of National Guitar focused entirely on the production of that particular guitar. The tour was done by a German outfit, so it begins in German language, but the tour itself is in English!
One of the rituals involved with visiting and/or shopping at Dave’s Guitars is to ascend to the second floor where Dave’s personal collection of historic, rare, and unusual guitars exists. This I decided to do and I took some shots which I post below. The sheer number of guitars and amplifiers is overwhelming. I knew I was in the midst of guitar history and museum quality greatness but did not have the wherewithal to take it all in, but it was fun to be up there for a while to wander around in awe… Sadly, I did not get to meet Dave himself, but if you scroll down below my shots of the collection there is a 45 minute interview with Dave and a detailed tour of the collection hosted/conducted by Premier Guitar Magazine… It’s worth the viewing if you have the time and the interest.
Below is the Premier Guitar Magazine interview with Dave of Dave’s Guitars:
Was the visit to Dave’s Guitar shop worth it? You Betcha!
