Open Mic Night at Cup of Joe; May 7, 2021

Cup of Joe, Cedar Falls, Iowa…

With mass vaccinations of Iowans occurring daily, by most visible measures life is slowly returning to pre-pandemic normal. Though masking is still a prevalent and required, people are involving themselves in old routine behaviors like eating at restaurants, visiting coffee shops, and in the case of this posting, attending musical events such as Open Mic Night! We had the great good fortune of access to a most excellent coffee shop, Cup of Joe in Cedar Falls, to host such an event.

The Conditts perform at Open Mic Night

My friend Grant Tracey and I hosted our first Open Mic Night together this past Friday evening, May 7, 2021. In a previous blog posting I wrote in some detail about the technical aspects of hosting an Open Mic scenario, particularly the use of a Bose L1 Pro 32 PA system.

To the left you can see the general set-up situated in the rear of the coffee shop. Between the two performers, on the floor, you will note the Bose subwoofer, the line array speaker tower and hidden behind the singer a T4s mixer that all comprise the PA system. The Bose 32 is spec’d for a larger space than the coffee shop so it easily performed admirably without stress and filled the room with a pleasant level of performance sound. Audio level adjustments of volume, bass, treble and reverb were easily executed. Audience members commented positively on the quality of the sound, which was a relief to me since I personally invested in all the PA hardware. You’ll also notice guitar and mic cables everywhere, stools, mic stands, guitar pedal boards, guitars, and guitar and music stands.

The fact is, there was a great deal of schlepping to get the performance space properly set up. Even though the Bose PA is valued for its portability, by the time you pack in the PA, cables, stools, mic stands, guitars, guitar stands, and guitar pedal boards, its quite an effort! You can see below, in the image of me performing, all the surrounding support hardware required to pull off the event. At first glance, it might not seem like a lot, but it was a lot to haul from home, and then get from the parking lot into the coffee shop. I am grateful that we planned to take 90 minutes to get set up for our first time, and we needed every minute, considering that Grant had to make an emergency run back to my home to fetch a music stand and my iPhone which contained a Bose app to remotely control PA sound quality.

Me and my Collings I-35 knocking out my first set…

I would make the following preliminary conclusions regarding the Open Mic set up to consider before Grant and I do it again:

  • Get to the Coffee Shop early, because set up takes time. I still think we need 90 minutes. Perhaps we will be able to streamline matters in the future, but we’re not there yet.
  • Contrary to my above assertion, as advertised, the Bose L1 Pro 32 snaps together very quickly and gives solid performance. Its the routing of mics, guitars and pedal boards that take extra time.
  • It seems to me easiest to use the 3 channels available on the Bose L1 power stand because the sound quality can be easily manipulated using the Bose app on my iPhone. The app allows me to wander anywhere in the coffee shop to check sound level and tonality and easily adjust it where I stand. With a variety of performers using different guitar types and styles, quick and easy adjustments of sound are of great value.
  • That first night we set up three mics, but I think two is enough. Dropping to two will save time, space, and reduce cables.
  • The two guitar channels and a mic will run off the power stand. An additional mic can be routed through the T4s. This set-up is not written in stone.
  • I do not think we need 2 stools and am thinking one is enough.
  • It is my understanding that there are music stands in the basement of the Coffee Shop, so we do not need to haul one in on Open Mic night.

Grant Tracey and his Les Paul playing his set…

All in all, it was a good night. I’ve seen the coffee shop more crowded on previous Open Mic nights, but there are still some residual pandemic fears keeping people away, and there was an outdoor music venue in operation around the corner, down the street, which was drawing people in. Nevertheless, we had a respectable audience for our initial First Friday Open Mic night.

To the right, you can see fellow host Grant Tracey playing through his set. One of the perks of hosting Open Mic is the chance to play your self and depending on the number of performers who sign up, you may get to play even more.

Playing my National Reso_Lectric in a second set…

In the end, both Grant and I squeezed in two sets each. Anticipating that I might have the opportunity to play more than the standard 15 minute open mic set, I brought along two guitars, both of which made their first public appearances: my Collings I-35 Semi-Hollow bodied electric and my National Reso-Lectric, as seen with me on the left. In addition to the guitars, making a first public appearance, I, for the first time sang publicly. Ever since, Mrs. Silliman, in the 3rd grade, tossed me onto the “inadequate singer” refuse heap when sorting students for participation in grade school chorus, I’ve believed my singing voice somewhat suspect; however, with the encouragement of my wife, Annette, and others I decided to give it a go. Playing finger-style Travis picking technique is also a challenge when trying to sing simultaneously; however, after 5 years of concentrated dedication to guitar playing, I finally broke through this Spring and was able to play and sing simultaneously, which is no mean feat for me!

Here was my playlist:

Set One

  • If I Needed You – Townes Van Zandt
  • Long Distance Call – Muddy Waters
  • Pancho and Lefty – Muddy Waters
  • Vigilante Man – Woody Guthrie (arranged by Ry Cooder)

Set Two

  • Paris, Texas – Ry Cooder
  • You Got to Move – Mississippi Fred McDowell
  • Railroad Bill – traditional (arranged by Tom Feldmann)
  • Corrina, Corrina – traditional (arranged by Stephen Grossman)
  • Baby, Please Don’t Go – Big Joe Williams

Annette was kind enough to film a couple of my tunes… you can view one below, warts and all… I dropped a few notes along the way. This was my rendition of Muddy Waters’ “Long Distance Call.” A bottleneck tune played in standard tuning… You will note that the Coffee Shop was quite noisy and I found it a bit of a distraction, but powered through…


Steve Surles, waiting his turn to play at the Open Mic

If all goes as planned, I will be hosting First Friday Open Mic in June on the 4th. My regular co-host Grant, to my chagrin, is tied up with a local theater engagement, so Steve Surles, who also played the open mic with us on the first night, has volunteered to guest co-host in June. Hopefully too, my son Parker will come back from college in Iowa City to help haul equipment and listen-in which will be a great delight for me! See you then!

Friday Night (high)Lights… or life in the open mic world…

Exterior of Cup of Joe, on the corner of Main and 1st Street…

In Cedar Falls, Iowa, right smack dab in the middle of flyover country exists a funky little coffee shop that’s been in business for twenty some odd years. The coffee is excellent, the baked goods are great, and the authentic retro-fifties furnishings give it an ambience unlike other coffee shops I’ve ever been to. In short, it is one of those idiosyncratic local treasures that inhabit small towns. The shop is called Cup of Joe

Besides purveying what coffee shops typically offer, Cup of Joe is also a patron of the arts… The owners rotate through the walls of the shop varying two dimensional art forms, including paintings, sketches, photographs and prints. In fact, a couple of years ago, the shop was kind enough to host an exhibition of my landscape and prairie photography.

Cup of Joe interior… performance space in the far back… Note artwork on the wall…

Most importantly, on every third Friday of the month, Cup of Joe hosts an open mic night for musicians, poets and what have you…

In fact, last night was my first year anniversary performing country blues guitar at the Cup during open mic and a great night it was…

Through some arrangement for which I am unaware, open mic night has been hosted by three gentlemen who referred to themselves as The Three Blind Mice… They consisted of Rick Vanderwall, Bill Guernsey, and the late Rick Nees. They would perform themselves at the opening of the event and then help out others during their time at the mic. As Rick V. was out of town visiting family, the evening was hosted by Bill alone.

Bill and I mugging for the camera…

Here I am with Bill at the end of the show; however, earlier in the evening my friend Grant Tracey and I helped him haul in his equipment as he was working alone that night. He brings in a PA system and microphones, as well as an amp suitable for electric and acoustic guitars. During the show he tweaks and fine tunes the sound such as you can in that particular space. Most importantly, Bill maintains order and keeps the participants in line and within a 15 minute timeframe.

What was unique and particularly fun that night was the shop owner, Dawn’s request that Grant, another guitarist, and I participate in a video feed advertising the night’s festivities. We all have different music in us… Yeah, you can quote me on that… Grant is a singer/songwriter, largely influenced by his youthful devotion to punk rock… Me, on the other hand, I love those old time, deep rooted, foundational country blues and that’s what I play… You can see our introductory video below: (you may have to click twice)

After Bill warmed up the crowd with a Neil Young cover, I opened the night with a fifteen minute country blues set. It’s my preference to play first, and I will arrive at the coffee shop a good hour before set-up just to get my name on the list first.

Here I am playing my set of 4 country blues tunes. That night was the public debut of my newly repaired Taylor Solidbody Custom Walnut electric. I had the guitar signal passing through my pedal board with compression, some gain to fatten up the sound a bit, a dash of vibrato, some slap-back delay and all blended into some hall-like reverb… Even though I painstakingly set up the pedals at home through my Fender amp, it sounded a bit boomy from where I was sitting… fortunately Bill smoothed it out for me with some amp equalization. Still, when sitting behind the speakers it’s hard to assess how your rig sounds… a performer monitor would be nice, but that’s a lot to ask for at an open mic night…

My set included:

  • I Do Blues – a new tune for me credited to Rev. Robert Wilkins
  • Police and a Sergeant – Rev. Robert Wilkins, arranged by Catfish Keith
  • Railroad Bill – traditional, arranged by Etta Baker
  • Cocaine Blues – traditional, arranged by Stefan Grossman

I was prepared to play more, but Bill put the hook on me as there were a number of others signed for the mic! I did a pretty good job on three of the four tunes, but shanked a few into the rough on Police and a Sergeant, which I played flawlessly at the Bandshell performance last month. Throw of the dice at this stage of my performing career, I guess… It’s not for lack of practice that I shank one, but more dependent on keeping focus and maintaining the brain/finger connection…

My beloved wife Nettie was there to take photos of me playing. She does a great job with an iPhone… I hope to upgrade my iPhone from the current 6s to the latest because the cameras on the new ones are so “dadgum” good and perfect for supporting this weblog.

You’ll no doubt note that, as is typical, I am obscured by a music stand… There are reasons why. First, I much prefer playing sitting down because I have better control of the guitar and secondly, I like referring to the charts while I play because I simply cannot remember most of my pieces which have fairly complicated finger movements.

Before the next time I perform, I hope to convert to an iPad, equipped with a foot pedal, to dispense with the paper and music stand, which should obscure me less while I play…

After my performance, I had a chance to catch up with one of my former Northern Iowa Textile and Apparel majors, Lillian T. If I missed teaching, which I do not, it would be because of special kids like Lillian… she was an absolute delight to work with in the classroom… I also had a chance to interact a bit with one of the two Jacobs in the coffee shop that night… He is a Northern Iowa music major and a tremendous guitar player… he noted my tasteful use of pedals and the pleasant “acoustic” sound of my guitar, which obviously delighted me to hear!

After my set, as you can see above, my pal Grant played a 4 tune set on his beloved Mustang, including some soulful picking of individual notes within his chord progressions… The show concluded on a high note with the Jacobs, both exceptionally accomplished jazz guitarists, who laid out their improvisations in masterful style…

September’s open mic night was a night to remember… until next month… I am working on some new tunes as I write… see ya…