Open Mic Night and the Allure of Playing Country Blues Roots Music…

The scene at Cup of Joe in Cedar Falls during the early stages of Open Mic Night… Hosts Rick Vanderwall and Bill Guernsey…

It’s been two months since I played at Open Mic night at Cup of Joe, located in downtown Cedar Falls, IA… I missed the last one to attend a Wilco concert in Cedar Rapids.

Wilco playing at the Paramount in Cedar Rapids, IA

The Wilco show was a lot of fun and it was a treat seeing Nels Cline play guitar, as he is one of the top players in the country. The venue in which Wilco played was also quite marvelous. It was an ornately restored old downtown theater with marvelous acoustics.

Nevertheless, I was glad to be back at the Cup again with a chance to perform in a small intimate setting… I am clearly not a headline performer… instead, the specter of performing in front of people really motivates me to work at the craft of playing guitar!

Me and my Taylor Solid Body Custom Walnut, with a newly replaced neck…

In the above image, you can see I was delighted to be back. This is me posing before the coffee counter just before my performance… Call my performance costume, ” old man cool-eclectic.” 😁

It was a big night for me because I was going to play publicly, for the first time, Stefan Grossman’s arrangement of A Tribute to Lonnie Johnson… this piece is epic in length and requires a reasonable amount of finger-style skill to pull it off so for me at least it marked a stage of development along my guitar playing journey…

I’d been working on the Lonnie Johnson piece for weeks and weeks and though I’ve pretty much mastered it, it is still difficult for me to play it flawlessly even alone at home, so playing it publicly was going to be quite an adventure for me, but I was looking forward to seeing how well I could do.

A year ago, my fingers would sometime disassociate themselves from my brain on pieces of music much simpler than the Lonnie Johnson charts, so I set a high bar for myself.

Taylor T5z Pro Ltd; Molasses Burst…

I actually began working on the Lonnie Johnson piece using my newest guitar, shown above, the Taylor T5z Pro, which is an acoustic/electric hybrid that sounds great whatever you play on it, but especially nice when playing old finger-style country blues; however, at the last moment I decided to play that night on my Taylor Solid Body Custom, which you can see me holding above. After playing the T5z for weeks on end, I think I just needed a change of pace. I am holding the Solid Body in the photo at the top of this article. It is a lovely instrument and plays like butter… While the T5z plays beautifully too, it is bit more demanding than the Solid Body, and that is probably why I made the last moment switch…

I’ve written before on this weblog about finger-style blues and why I am so dedicated to that genre:

  1. It’s a musical style that can be played strictly instrumentally or accompanied by singing. In instrumental form, the music holds up on its own, so it is suitable for a single guitar player to perform without accompaniment. Since I have no interest in being in a band, this genre is perfect for me.
  2. Country blues pieces span from the elegantly simple to the moderately complex and there are available lots of charts and educational videos from which to learn, so it is a great genre to develop playing chops, which can be very satisfying.
  3. While there is a very active global community of country blues players, they are still diminutive in size compared to other musical genres, so it is a smaller fairly supportive group of players.
  4. As a baby boomer, I grew up with early rock ‘n roll and this music serves as its foundation. Country blues are THE essential roots of much of the popular music that I grew up with. My experience is that audiences are not exposed to country blues that often but like it when they hear it. Much more interesting than the millionth cover of Moondance they’ve heard before.
  5. While players use picks or strum through country blues, the really authentic way to play it is with the fingers. Finger-style playing is way too cool… just sayin’

As testament to the roots nature of country blues, I am embedding a link through the photo of classic bluesman Charlie Patton on the right. It leads to an interesting blog article that gives a nice comparative sampling of rock music to its original country blues form. The blog is called Please Kill Me… This is what is cool… Click on Charlie Patton and then come back!

Grant and me at Bob’s Guitars, our favorite hang out…

As is typical for me, I signed up to play first. There are actually only 6 15 minute slots available for open mic wannabes, so I usually get to the shop about 45 minutes before Rick and Bill, the hosts arrive and when they do I hit the sign-up sheet promptly. My friend Grant is almost always there too and he signs up to play second. In fact, we are hoping to play a full set on our own at the Cup some time in the near future!

That particular night I played in the following order:

  • A Tribute to Lonnie Johnson in Drop D tuning… (Stefan Grossman) – I did ok… shanked some into the rough, but pulled it off… at Open Mic it would be too challenging to record myself; however, I do have a decent sampling of Lonnie Johnson that I made at home, which is embedded below. Note that I am playing the T5z.
  • Spoonful in Drop D tuning… (Charlie Patton, arranged by Stefan Grossman) a briefer and lighter tune to cleanse the palette after the heavy low down Lonnie Johnson piece…
  • Cocaine Blues… (traditional, arranged by Stefan Grossman) a favorite of mine and the rare tune I have completely memorized… breezed through it… a crowd favorite too… a lovely, complex finger-style tune that stays at home in the top three frets… relaxing and also cleansing to play…
  • Police and a Sergeant… (Robert Wilkins, rearranged by Catfish Keith) I love this piece and it’s a great way to end the set. It’s very meaningful to me because I took a lesson with Catfish Keith to work on it! Last time I played it at the Cup, I pretty much lost my way and unravelled, though I got through it somehow… The other night I played it clean as country water…

Below you can see a photo that my wife took of me playing… it’s been post processed and posterized a bit to make it more fun… Note that I am for the first time performing with my iPad and foot pedal for page turning…

It was a great night closed out by the Jacobs playing some jazzed-up seasonal tunes!

The Jacobs knocking out jazzy holiday tunes…

Thanks also to my friend Grant for the call out at the end of my set! He played a fine set too!

Local Treasures… Milkbox Bakery…

I was born in New York City, but came of age in Southeastern U.S., spending the most time in North Carolina and Virginia through my middle passages; however through some simple twists of fate I am now a Midwesterner, having lived in Cedar Falls, IA longer than anywhere else in my life.

My dog Nike looking dolefully at the early winters cape in IA…

Compared to the Southeast, the summers in Iowa are sublime; however, the winters here are long and brutal… hateful… I just read we are ranked 11th worst state for harshness of winters. I cannot tell you the number of times I’ve fallen on my rear end because of ice, but it’s been too many times.

Now that I am retired, the natural question is do I want to remain in Iowa to muddle through what is essentially six months of winter, with an almost non-existent Springtime? While the winters here present a compelling reason to leave, there are strong arguments to stay. Iowa is ranked one of the top states for retirement primarily because of low cost of living and access to great medical services with Mayo Clinic being just less than two hours drive from here. I love the non-pretentiousness of Iowans too and there is such a thing as Iowa “nice.”

Another important thing to consider are the roots that I’ve sunk into my community during the course of 20+ years and that is to what I will speak to in a series of blog articles that I refer to as local treasures which focus on the small business enterprises that make Cedar Falls/Waterloo a special place to reside.

Located on College Avenue at the “Hill” adjacent to the University…

I’ll begin this series by referencing one of my favorite locations in town and that is Milkbox Bakery which is by definition a local treasure. Owned and operated by Andrea Geary, it is an old world, artisanal bakery specializing in breads and pastries; however, they do offer some meal worthy creations, such as Avocado bread and killer homemade soups!

an excellent place to hang out…

As I mentioned earlier, I lived in New York long enough as a child to appreciate that city for its fine breads and pastries. In fact, those New York creations are the standard by which I measure all others and Milkbox measures up big-time! The bakery holds its own with European breads too, which is no small accomplishment. Andrea has spoiled my family… we will no longer eat loaf bread unless she’s baked it and there’s nowhere in the midwest that bakes a better bagel! Yes… that is true, and I am an aficionado of such things.

I have great admiration for Andrea as she is the creator, heart and soul of this wonderful local treasure! She does it all…

the author and super-baker Andrea Geary in her domain…

So when I am feeling a bit of cabin fever during our long, cold winters, I am sure that one of the best options in town is to get a coffee (free-trade) and hang out at Milkbox Bakery for a bit. If you’re lucky, you may even have a chance to chat with Andrea when she emerges from the bakery where she does her magic. Oh yes… and when I leave I’ll be sure to have a fresh loaf of “Rustic White” bread and a bag of bagels…

Trouble no more… Paper charts are gone…

A couple of weeks ago, I had the great good fortune of spending some time in the Evanston/Chicago area with two of my college frat brothers. It had been 8 years or so since we last gathered and was great fun. We are all retired or semi-retired and are coincidentally afflicted by some of the same age-onset challenges, including remembering where we left our keys, walking across the house to do something and forgetting what it was, or trying to remember the actor’s name who played Mick in the Rocky films… I used to fret about memory loss until I realized during my visit that we all experience the same phenomena, so I’ll just have to accept it and go with the flow!

I only mention our common memory issues as a lead-in to the challenges I face with my major retirement avocation, which is guitar playing.

Country Blues Tunes I am currently playing

I’ve been playing country blues tunes for the past three and a half years and have accumulated a substantial body of work. Sadly, try as I might, I simply cannot memorize them all and find it most effective to have the chart in front of me while I play.

So, for most of my practices, guitar lessons, and public performances I am surrounded by paper charts, ranging from a single to four plus pages in length. When moving from tune to tune, I can be found shuffling through a massive sheaf of paper, which can be seen in the accompanying photograph.

By the way, my music charts come almost exclusively from training DVD’s offered by Happy Traum’s Homespun and Stef Grossman’s Guitar Workshop. The charts are in PDF form, downloadable from the DVD. Typically standard notation and, most importantly to me, tablature are given on printable charts.

Recent performance at Cup of Joe in Cedar Falls, Iowa…

The massive sheaf of charts I’ve accumulated becomes a problem if I want to travel with my guitar(s), or when I perform, which is mostly at the local coffee shop open mic night. As you can see from associated photograph, I am typically hidden behind a music stand and overflowing charts, which separate me from the audience and that is not an ideal performance mode for someone like me who likes to interact with the crowd. And, why perform finger-style if nobody can see your hands at work on the guitar?

forScore home page…

My wife Nettie concurred with me that getting out from behind the music stand would be a good thing when I perform. She notices it when photographing a performance.

So, I did some research and discovered that there were iOS apps available for storing, presenting and scrolling through musical charts and one of the most popular among musicians was forScore which is downloadable for $15. forScore can be used with an iPhone and/or an iPad. (the app works on other platforms too, but for better or worse, I happily exist in the middle of Apple world!)

forScore is capable of storing piles of charts and those charts can be organized in a number of logical ways based on your choices. Bookmarks can be assigned to your favorite tunes for quick access and setlists cutting across your entire collection of charts can be conjured up for a performance.

iPad and forScore software mounted with Hercules mic stand holder…

While I own the larger sized iPhone it is still not large enough for me to feel comfortable reading a chart, so I opted to use an iPad which can be adapted to a mic stand with a holder, which in my case was made by Hercules.

It took me the better part of two days to get all my music on board the iPad and to organize it. It helped that there are multiple Youtube videos available by people who’ve developed expertise with this app. I’ve yet to annotate the electronic charts but intend to do so. I used annotations frequently when noting on which finger to begin a slide!

Firefly PageFlip on floor beneath iPad

Finally, it would break the continuity of playing a tune to have to release the guitar with one of my hands and slide a finger across the iPad screen to transition to the next page of the chart. Consequently, a necessary adjunct to this paper-replacement project was a foot-activated pedal to advance the chart page. The iPad and the forScore app work well with the bluetoothed Firefly PageFlip, so I acquired one and it gets the job done. It does take some adjustment getting used to advancing and reversing the chart pages with my foot while I am playing.

I just completed this project yesterday so I do have an experiential learning curve to travel through in the short term before I feel entirely comfortable with this new system when used either at home or in front of an audience. Nevertheless, I have high hopes for the benefits of getting out from under all that paper. Below is a shot of me on my first night of practice with the completed set up… It went reasonably well…

Thanks for any comments you wish to leave below:

New iPhone Buyer’s remorse… not this time…

For the preponderance of my working career I was involved with Higher Education and as a result taught countless classes and gave a myriad of professional presentations. It was my philosophy to never stand before an audience without interesting visual imagery to support or augment the points I was making. This modus operandi holds true for this weblog. If you’ve taken anytime to glance through my various posts you’ll note they include quite a number of photographs. Consequently, possessing the capability of creating relatively high quality images is important to me as I communicate through this website.

me with the big gun… Nikon D810…

Since 2005 my primary photographic weapon of choice was a Nikon Digital Single Lens Reflex Camera (DSLR). I been through multiple iterations of Nikon cameras and currently use a 36 mpx D810. As you can see in the photograph to the left, the D810 is a large and heavy camera, especially when a telephoto or macro lens is attached.

For the ultimate in image quality (IQ), a DSLR is hard to beat and will always be my first choice when embarking on a serious photographic mission; however, lugging the big gun around is not always convenient and photographic opportunities often avail themselves when the big DSLR is not in my possession.

For serious photographers, another solution besides a big gun is to carry a point and shoot camera. If you’re willing to spend the money, a point and shoot can take a very nice image. For example shown below, I shot this Zion National Park landscape from horseback, one handed … No way could I do this with a DSLR because it’s too heavy to haul on horseback and I learned very quickly a horse has no patience for a rider who is not holding the reins with at least one hand and you cannot shot a DSLR single handedly.

Zion National Park shot from horseback with a Canon S100 point and shoot…

Despite the convenience of a small point and shoot camera compared to a DSLR, it still requires intentionality to always have the small device available when a photo opportunity presents itself and for me that’s simply not going to happen as I haul around too much stuff as is…

All of this discussion leads me to my main point and that is “the best camera” is the one you have available at the time a photo opportunity becomes obvious, and today the best camera is most often the one you have integrated into your personal communication device or handset, i.e. iPhone. Up until recently, I wandered through the world with an iPhone 6s, which takes a decent photograph, but does not hold up remotely to a “professional” point and shoot. That presumption may not be true anymore. The new phone cameras are so good, they’ve practically driven the point and shoot market out of business and even push the need for a DSLR. This advancement in iPhone IQ became obvious to me during a recent visit to my daughter Sally and her family in Wilmington, NC.

There is a Pocosin preserve in Wilmington located behind a grammar school just a short ride from Sally’s home. Pocosins are marshy areas tucked within a pine forest and are the only natural habitats for Venus Flytraps in the world. These Pocosins exist only in the coastal areas around Wilmington, NC so it is a real treat to visit one and photograph the plants that grow naturally in that region. Further, some of my father’s ashes are also scattered in this Pocosin.

So, while visiting Sally, I took out my big rig, equipped with a close-up (macro) lens and went out to commune with my father’s spirit and to take some shots of the carnivorous plants in the Pocosin, some of which can be seen above.

Along for the visit to the Pocosin were Sally and my grandchildren and it was there that she took the opportunity to photograph me with Edie B. and Π (Pi)  (known also as Peter), which can be seen below:

iPhone photo taken of me and two of my grandchildren, Edie B. and Π… note the big gun hanging from my neck…

Later when we got back to Sally’s home and I had a chance to see the photograph of me and the grandchildren I was awestruck by the quality of the image, including the exposure, color rendering and the detail. Sally took this photo with an iPhone X, which was at that point the state-of-the-art iPhone. It was then, after studying that image, I decided that upgrading from my 6s was in the immediate future. It is unusual not to have my iPhone with me and with the new improved camera, it’s a no-brainer if you love to take quality images!

So, in a nifty jiu-jitsu pivot move I handed down my 6s to my wife who had an iPhone 5 on its last legs and ordered the new iPhone 11 Pro Max when it became available, which I’ve had for a few weeks now:

Ordinarily in the past when I’ve upgraded my iPhone, I’ve suffered buyer’s remorse big-time because the phones look and act essentially the same from version to version. But having waited out multiple versions of the iPhone over the past 3.5 years, there are some remarkable differences, most notably with the camera. I’ve included some of the iPhone 11 images below. While I would not consider the shown photos super extraordinary they are very functional. The photo of the old Capital in Iowa City is one of the new iPhone night images. While the upper dome is a bit blown out, it’s not at all a bad handheld taken in the dark photograph!

So, to wrap this discussion up, I am delighted with the photographic capability that the iPhone Pro brings to my disposal. In summary, here’s some pros and cons of the new device relative to my older iPhone 6s:

Pros:

  • Great camera with telephoto, wide angle and night shooting capability
  • 12 mpx camera to capture pretty incredible details
  • Faster operating speed
  • Accurate facial recognition to open the device
  • Massive storage at 256 Gigabytes to store bunches of music, videos and photographs
  • Is still an iPhone and does all the things iPhones do better than in the past
  • Siri is smarter and will automatically put me on speaker phone, which is what I use almost exclusively
  • Now has a battery that lasts for days
  • Has a huge screen which is great for photo editing

Cons:

  • Expensive
  • Heavy and large… the Pro Max weighs almost a 1/2 pound (220 grams)
  • I wish I had gotten a grippier phone cover… the fancy pants Apple leather cover is like handling a wet bar of soap

Wind it up again… Rocktober’s Open Mic at Cup of Joe…

(left to right) Bill, Rick and Colin open the night

Third Friday of the month is Open Mic night at Cedar Fall’s Cup of Joe and it is the event that guitar playing devotees such as myself use to motivate ourselves to develop new tunes and to enhance out musical technique.
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October’s Open Mic was again hosted by Rick Vanderwall and Bill Guernsey, as well as Rick’s grandson, Colin Simpson. They provide the sound system and some sense of order by ushering through performers in 15 minute time slots. Order was required that night as Cup of Joe was a full house by the time performances commenced. The payback for Rick and company is they themselves get to open the night with a performance.

As I said, Open Mic night is big stuff for those of us trying to develop our performing chops. Two of the regulars are my friend Grant Tracey and me. Here we are the day before Open Mic at one of our wood and steel gatherings, checking out some of the finer guitar instrumental offerings at Bob’s Guitars in Cedar Falls. Grant’s holding a Taylor GS Mini and I am twanging away on a Taylor T5z Pro Ltd., which is a singular guitar!

I like to play first, right after Rick, Bill and Colin do their thing. Perhaps it was nerves when I first started doing Open Mic, but now it’s a habit… I am rethinking opening the night in the future as this past Friday it was pandemonium while I was playing, with people milling around in front of me still signing up for slots to play. Very hard to connect with the audience or play cleanly with that sort of chaos surrounding me.

Nevertheless, I managed to get through my set with minimal “shanks” into the musical rough. For the first time ever, I played a medley of Take a Whiff on Me & Stagolee, both being in the key of D. My guitar teacher Tom Garman helped me create a “professional” transition between the two pieces. I also knocked out a couple of my favorite tunes, Cocaine Blues and Railroad Bill. Probably the highlight for me was to play a spirited version of Etta Baker’s Carolina Breakdown, a tune I stumbled through a year ago during my first sojourn into the world of Open Mic. The photograph of me on Friday night was taken by my wife Annette, who showed up just in the nick of time to catch my performance. She’d been on the road with her students touring the fashion industry in Minneapolis earlier that day!

Kudos to my friend Grant who played his set, including a Hank Williams cover and several of his own tunes, all played for the first time at Open Mic on an acoustic guitar. I thought for that venue it sounded far better than the Fender Mustang he’s played in the past! His home penned tunes, such the fan favorite, Black Sky, work really well with acoustic guitar accompaniment.

See you next month… and I must get to work on some new tunes!

On the night stand…

Michael Connelly cranks out one to two mysteries per year and they are some of the best detective/police procedurals being written today. I’ve read everything he’s written and it is almost always a fun ride following along behind Connelly’s protagonists. His longest standing and most popular character is LA Police detective Heironymous (Harry) Bosch. If you take Amazon Prime then you will note that several seasons of Harry Bosch serials are available for your viewing, and they are done very well…

I usually wait about a year after the book is published so I can get a good deal buying one used off of Amazon and snatched this one up a few weeks ago… the problem I have is that because Connelly’s books are usually such page turners they do not last long on the nightstand so while I read them I fret about what to read next. In my house I have a queue of books waiting, but it’s the choice I wrestle with… Sometimes a book that I’ve acquired will be read right away, but others may languish for months or years before they are gotten to. The Connelly books never wait very long… like excellent customers, they move to the front of the line…

Having zoomed through the Harry Bosch story pictured above in short order, I am now involved with Caleb Carr’s The Angel of Darkness, which is a sequel to The Alienist. Both books take place in the late 1800’s and involve Lazlo Kreizler psychologist & criminal profiler who hunts serial killers. I read The Alienist several years ago, really enjoyed it and while reading it grabbed a used copy of the The Angel of Darkness; however for whatever reason, the second book languished on a shelf for years. Perhaps I was saving it because I knew that there were no more Lazlo Kreizler books in the works.

Nevertheless, two things occurred that led me to pick up and start reading The Angel of Darkness. First, I discovered that Caleb Carr was indeed planning to publish a new Kreizler story! And secondly, I started watching the TNT TV series based on The Alienist.

New network for the Tarheels not supported by Mediacom.

I was aware that there was a TV treatment of The Alienist; however, I did not have access to a streaming version of it and I find watching a fixed scheduled TV series anathema nowadays; however, the television landscape has changed much for the better in my home as of last week.

First a bit of background. As you are all aware, Cable TV subscriptions are terribly expensive and the ONLY reason I subscribe to Cable TV is to watch my beloved UNC Tar Heels basketball team during the season. Well, much to my despair, I learned that the new ACC Network that would carry UNC games in the future would not be supported by my Cable supplier Mediacom and when I queried them about this, they were a combination of oblivious and unapologetic!


So, I dumped cable, purchased an Apple TV and a subscription to Hulu+ and now have access to the Tar Heels again. The transition away from cable went incredibly smooth and is saving money too! I am wondering why it took me so long to do this!

I also have access to a bunch of other stuff on Hulu, including a streaming version of The Alienist and after watching an episode or two, I decided it was time to dust off The Angel of Darkness and read it… so there you have it…

PS… Caleb Carr is an excellent writer and I look forward to The Alienist at Armageddon!
It might move to the front of the line…

The same old used to be? Or what’s up with buying a used guitar?

I own seven guitars, which to some may sound exorbitant but to most guitarists it’s not totally unreasonable. Of the seven, I only purchased two of them brand new… the other five were acquired on the used guitar market. Three of my used guitars are shown in the image directly above. There were other guitars too I owned in the past that I traded away for different guitars. Consequently, I have first hand knowledge of the cost of new guitars, savings made buying used guitars, and the financial losses associated with trading guitars. By the way, all of these aforementioned guitars that were bought or traded were premium, non-entry level, non-learner instruments.

Why purchase a used guitar? Well… because used guitars are like used cars… just like a new car loses value when it rolls off the lot, so does a new guitar and the value loss can be quite significant. There are exceptions to this rule. For example, collector level instruments like Keith Richards’ Telecaster, or Tony Rice’s pre-war Martin will hold value, if not increase in value over time. However, for the run of the mill premium guitar, expect a significant loss when walking out the door of the guitar shop.

On the other hand, great value can be acquired by purchasing a pre-owned or used instrument. Of the three guitars photographed above, I saved anywhere from 30 to 50 percent of the original cost, and they play as well as the day they were pulled off the wall hook and purchased new! Nevertheless, like buying a used car, I’ve learned that being able to critically assess a used guitar before purchase is a worthy skill to possess. Sadly for me, my used guitar assessment skills have been learned experientially not without some minor pain along the way.

All this begs the question: where is the best place to buy a used guitar? While there are probably multiple methods for acquiring a used guitar, I have direct experience with two common and reputable ways:

  1. From a local guitar store.
  2. Online with Reverb.

I’ve had a combination of good and mixed results with both of the aforementioned options and I will speak briefly to the various guitars that I purchased used and my results.

Guitars Purchased Used in Chronological Order:

National Steel NRP Black

I purchased a National Resonator Steel NRP from Reverb as my first recently acquired used guitar. An instrument of this type and caliber was not available in my home town so I went online.

As you might be aware, Reverb is an online national clearing house for used and new musical equipment. Similar to the way ABE Books works, vendors, retailers, and private sellers can use the Reverb portal to buy and sell instruments.

Reverb is an online disruptor, similar to Uber… it’s great for consumers but can create challenges for local guitar stores as buyers have more options… In fact, local Mom and Pop guitar stores are disappearing from the landscape and Reverb may be partially at fault. Fortunately, where I live we still have an excellent guitar shop and in fact, local shops like mine use Reverb too to sell instruments, so it is a knife that cuts in multiple directions.

What I like about Reverb is the potential for negotiation and there are built-in safeguards for both buyers and sellers. In the case of my purchase of the NRP, try as I might, the seller would not budge on his price, but it was more than 30% less than a new resonator and it was supposedly in excellent condition, so a I bought the thing because I really wanted a resonator.

The guitar arrived and it was in immaculate shape. Had it not been, through Reverb, I had the option to return it. My main quibble with this process is you do not get to play or hear the guitar before purchase, so there is a bit of blind faith. On the other hand, when you purchase a premium factory built guitar like a National, the odds are you will get a decent instrument and I did.

National ResoRocket WB

After playing the National Steel NRP, I decided that it would be a great experience to also play a wooden bodied National, so I started shopping around. I ended up looking in Reverb, of course, and then I also communicated with an eccentric collector who was thinking of selling one of his many. Fact is, National makes several wooden bodied resonators and I was unsure of what to get. In the end, I found an immaculate wood bodied National ResoRocket the Dream Guitars was selling via Reverb. Via my iPhone, I was able to negotiate a reasonable reduction from the listed price with the owner Paul Heumiller and closed the deal with a click, and earned another large cost savings of +30% relative to a new guitar.

The guitar arrived in near mint shape, looking brand spanking new and I was not surprised because the combination of purchasing from a dealer who sells premium guitars priced in the 10’s of thousands with Reverb’s protections is a winning combination.

Taylor T5c Hybrid Acoustic/Electric Guitar

My Taylor T5c is a great example of a used guitar purchased in my local shop. The guitar was about 10 years old and in very nice shape. I had a chance to play it several times before I decided to make an offer. In this case I knew exactly what the guitar would sound like.

For a 10 year old guitar, it was in very nice, not “mint” condition, but that should be expected. There was some hazing in the upper bout near the cutaway from where the previous owner tried to buff out, what I would guess, were pick marks. Taylor’s T5’s are not equipped with pick guards and the owner did not mount one after purchase. At my request, the store gave the guitar a more professional buffing and though there is still some minor hazing, it is very difficult to see. I do not like or need pick guards because I play strictly finger-style.

The five way pick-up selector was pretty grungy with embedded dust, but the store guys cleaned that too and also worked out some static crackling that occurred when the pre-amp volume knob was adjusted.

When it comes to purchasing a pre-owned instrument, I don’t think it is unreasonable to barter before closing the deal. In the case of the Taylor T5, the guitar store owner served as an intermediary because the guitar was being sold on consignment basis, which means he gets a slice of the pie. As a result of negotiation I was able to get the price reduced a bit by agreeing to pay for the guitar with crisp $100 bills… I kid you not… It was a little annoying but also kind of fun going to the bank down the street and picking up the wad of cash to close the deal.

Truss rod cover is the triangular shaped, thin piece of wood screwed into the lower portion of the headstock, just above the nut.

Finally, it is important to note that despite due diligence in the store, a used guitar can possess hidden issues. In this case, when I got home I removed the truss rod cover to adjust the neck angle to suit my purposes and found that one of the screw holes for holding the cover onto the headstock was stripped, so that the screw just sat in the hole with no grip. That discovery was irritating, but not a deal breaker and though it is arguably minor, I point it out because there can be mysteriously hidden damages when buying a used instrument. We’ll see more of that in the following discussion.

The Taylor T3c just below was also purchased as used from my local guitar shop. The negotiations were complicated because I traded in a Gretsch guitar on the deal. That kind of arrangement would have been impossible on Reverb, so there are advantages to working locally.

Further, as with the aforementioned Taylor T5c, I was able to play the guitar at length and determine that it was a fit for my playing style, so I grabbed it. The guitar was about 4 years old and appeared immaculate, or so I thought.

Taylor T3c Semi Hollow Bodied Electric

In retrospect it would be ideal when purchasing a used guitar, for time to be taken to examine it centimeter by centimeter before closing the deal.

In my case, had I looked more closely I would have noticed a crack about 2 inches long located along the side at the lower bout where my picking arm would rest. When I got home and discovered the damage. The more I regarded the guitar’s damage, the more appalled I became because it looked like the binding was detaching from the body’s side which is pretty serious.

I brought the guitar back to the shop the next day deeply concerned, but they “pulled me off the ledge” by deftly repairing the crack with cyanoacrylate glue followed by buffing. It is barely visible now, but I know it’s there. Most of the time I can ignore it.

Just noticeable body crack located under the binding after repair.

The Taylor T3c is one of my favorite guitars ever and I was not even aware that Taylor manufactured them, and had it not been for a used one hanging on a hook in my local store I probably would have never purchased one. Still, my experience with this acquisition suggests two things: 1) closely examine a used instrument before finalizing the deal, and 2) if you buy locally, it is likely the store will stand by the purchase and make things right, if necessary!

The last guitar I will use as an example for buying a pre-owned instrument is my most recently acquired Taylor Solidbody Custom Walnut. I decided that I wanted experience playing a sold body guitar and discovered that Taylor Corporation manufactured them for a few brief years beginning around 2007. I am very fond of Taylor necks compared to those on Fenders and Gibsons so I went hunting for one. Since there were none in my local shop, I went online with Reverb and found a handful of them for sale.

Taylor Solid Body Custom (SBc)

It is possible to ascertain the going value for a used guitar by studying the sale price listing for the various guitar models. Further, if you drill down on the Reverb site you can actually find what the specific guitars sold for over the past 6 months or so. With that data in hand I negotiated with a seller, who happened to live just a few hours away from me and we struck a deal, including a personal drop of in the small town of Lisbon, IA.

We met on the main street of diminutive Lisbon and the seller lifted the rear of his SUV and then opened the somewhat beaten-up guitar case. To my initial view, the guitar looked immaculate; however, I was to learn a couple of days later that I really did not possess the wherewithal to make a true assessment of a used guitar.

As I said above, a couple of days later, it was pointed out by the owner of my local guitar shop that the neck of my newly acquired Solid BodyTaylor was twisted and in time I figured out that it was largely unplayable. Rather than return the guitar back to the original owner, I decided to send it to the Taylor Corporation for repair. When they received it, they said the only solution was a neck replacement, which they did as a warrantee repair even though I was at least the third owner of the guitar. What a great company because they did not need to do this service for me. Perhaps, because I owned 6 Taylors (including one I gave my son) they threw me a bone!

Well as you can see from the photos above, the neck replacement is far better than the original, but I was very lucky with this purchase to get it repaired to mint condition for the cost of shipping from Iowa to California and back. So in conclusion, caveat emptor, or let the buyer beware when entering into the used guitar market! Good luck out there!

Today I felt retired…

This was one of those incredible early Autumn Iowa mornings with the sun shining and the temperature in the low 60’s F. Ordinarily, at this time of year on a Thursday morning I would be at the university teaching a class. Instead, Nike and I took a 2 mile walk into the woods and along the bicycle trail. It was a perfect moment to savor the day as a gift.

Some have told me that adjusting to retirement is a process… perhaps it is, but it feels real fine right now… I’ve had the great, good fortune to travel around the world during my life… not everywhere, nor to the really exotic, but I do not feel the need to make grand retirement gestures by traveling… walking the dog, playing guitar, taking photographs, reading, and cooking for Annette are the little treasures of life being well lived during retirement… It seems to good to be true…

Flattop Acoustic Guitar: the guts of the thing…

It was sometime in my early 20’s when I was in graduate school that I created a fundamental method for myself and that was if you’re going to invest yourself in some activity, first get a book and learn about what you’re doing. Looking back, I think one of the first books of that sort that I’d purchased was the Complete Book of Running, and I ran for years afterward using the knowledge gleaned from that read…

As a result of this practice, my home library has quite of number of background books in such disparate areas as bicycle repair, blues music, civil war reenacting, wildflower identification, prairie restoration, all types of photography, and even dog training.

If you’ve been anywhere in and around this weblog then you will know that one of my keen interests during my retirement life is everything about guitars. As my opening paragraphs would suggest, I’ve dug around trying to find books about guitars to deepen my understanding of the instrument. Thus far, two of the more interesting books I’ve found include, Clapton’s Guitar and the Guitar, An American Life. They were both excellent reads covering aspects of the social/cultural/historical elements of guitars and to some extent guitar construction, but still fell short of really offering a deep understanding about the structure of the guitar, how it functions and how it affects playability. Nevertheless, I recommend both books as fun and informative time well spent.

Then, one day I was noodling around on my computer searching guitar culture and philosophy subjects and ended up on Ervin Somogyi’s website. Mr. Somogyi is a world renowned master luthier, in other words a guitar builder. I had previously read about his apprenticeship program in Fretboard Journal #36 so I was curious enough to explore his site a bit deeper. He had in one section some fascinating and articulate discussions about guitar culture, which I perused and in later meanderings discovered that he had published a two volume treatise on guitar building. The first volume was focused in detail on how guitars behave as a function of choices a luthier might make during construction. The second volume was explicitly step by step how to build a guitar.

The basic pair of volumes (not the leather bound version) was listed at well over $200 which was a bit too rich for me; however, I only wanted the first volume regarding how a guitar functions. I never intend to build a guitar so the second volume was of no interest. Fortunately, I found a used copy of volume one in a Canadian used book store and though it was still more pricey than I would have liked, I bought it anyway and am so glad I did because it is a classic exploration of acoustic guitar design and function written in an interesting and accessible manner.

All elements of guitar structure are discussed. For example, Somogyi evaluates in detail the various trees that are available for harvesting quality tonewoods or general structural elements such as the neck. I was fascinated to learn that mahogany makes a great guitar neck because it is an equatorial tree that possesses balanced longitudinal torque because of how the tree interacts with the sun in its particular region of the world. This matters because the neck is less likely to twist over time. Given that I recently had a twisted guitar neck repaired, I appreciated the discussion.

No subject about guitars is too esoteric and the end notes take up about 1/3 of the book offering even more detail. Subjects of discussion include the various ways in which a guitar top vibrates and how the bracing underneath interacts, or how the back wood of the guitar cooperates with the top wood to project sound outward through the guitar’s sound hole. Everything you need to know about intonation is detailed.

Taylor 510 “dread”…

The aesthetics of guitar shapes are also considered which was illuminating to me. Take for example a comparison of the now discontinued Taylor 510 “dreadnought” shaped guitar versus the new Taylor Grand Pacific.

The 510 according to Somogyi’s view had very little aesthetic appeal. Though a good guitar (I owned one years ago) it was strictly utilitarian in appearance. The shoulders of the guitar are just plain horizontal and flat, the guitar has almost no curve at the waist… it’s basically just a box of wood with a neck and strings, lacking all elegance.

Taylor Grand Pacific…

On the other hand, consider the Grand Pacific. It is a reimagined dreadnought-styled guitar, and its shape is much more appealing. In fact, Somogyi would point out that the Greek Golden Rule of Proportion was applied by reimagining the waist of the guitar to give a perfect ratio of top bout size compared to the lower bout. Further, the shoulders of the guitar add a subtle sloping drop which enhances its elegance giving it an altogether more appealing shape to the human eye!

In sum, if you really want to understand the art and technology of the acoustic steel string guitar there is probably no better book than Ervin Somogyi’s The Responsive Guitar. It took me the better part of the summer to wade through it because it takes time to give thought and consideration to his analysis, but it is a journey worth taking.

As a final side note it is worth mentioning that Mr. Samogyi frequently points out the relative “newness” of luthier built steel string acoustic guitars. For much of the steel string guitar’s history it was an artifact of industrial factory production. The development of custom made luthier guitars grew along with the relatively new tradition of steel string finger-style guitarists. It can be argued that American finger-style playing was historically rooted in older country blues, played on factory guitars; however, Somogyi points to a new aesthetic in finger-style that benefited from guitars designed expressly for that purpose. In a later section of his book he carefully points out the necessary differences in guitar design between flat-picked (plectrum-driven) guitars and finger-style played instruments.

Somogyi points to both Ed Gerhard and Martin Simpson as notable leaders in the new finger-style revolution. I had the great good fortune of hearing the aforementioned gentlemen play live and to spend some “quality” time with them afterwards discussing their guitar philosophy. It was through my association, in the middle late 1990’s, with the Manhattan, Kansas based Birdhouse Productions who hosted several outstanding acoustic guitar players.

Time well spent… or my continuous stream of consciousness about a life of reading…

When I first announced I was going to retire the most common reaction I received beyond congratulations was a dubiously phrased, “What are you going to do?” Initially, I was caught off guard believing that my interlocutor thought my plan to retire was somewhat suspect. So, in response I would list off the many activities that I engage in, including photography and guitar playing/learning to prove I was worthy of retirement…

Then after I while I became fatigued with trying to prove that I was prepared to retire, and instead stated that, “I would do whatever I wanted to do, whenever I wanted to…” which, so far, has been pretty much the case within the resources I want to allocate to the “whatever I want to do” aspect of my time spent.

It’s actually a little more complicated than that… Though it initially it seemed that time is available to do anything/anytime, there are still chores around the house like cleaning and yard upkeep, as well as time at the gym to avoid backsliding health wise… Nevertheless, I do have dedicated activities that I hold sacrosanct and one of them is reading…

I’ve been a devoted reader almost all my life… perhaps when I was a nascent reader it was a little rocky, but by the time I was 10 years old. Ian Fleming and Edgar Rice Burroughs enchanted me into a world of fiction where all things are possible… I am still there in that fantastic world of spies, detectives, space ships and time travelers… I found the vintage paperback covers to some of my gateway books into a life of escape reading…

So, I’ve lead the life of a voracious reader… to prove the point, I was not a lit. major in college, but I managed to take a lit. class almost every semester, including classes devoted to Shakespeare, Greek Tragedy, the Literary Significance of the Bible, and Late 19th Century American Literature…

The fact is, my dedication to literature is a bit of a problem… there is no room in my home for anymore books yet I keep buying them…. I really should read more books on my Kindle, but I feel suffocated and constrained when I read books electronically… I like to flip ahead sometimes and that is difficulty with an electronic reader…

I have to make way sometimes by disposing books… some I give away to friends, others get deposited at the local library’s Book Nook… most if the books I toss off are not what I call keepers… I still hang onto the books that are “classics” or ones that really affected me.

Some of the giveaways make a difference. Yesterday, Coach Chip, a young man who coached my son Parker in club basketball when he was in early grade school and who subsequently gave him private lessons in our driveway shared on FB that his “travel” team just one second place in a tournament. I know how hard Coach Chip works and congratulated him. His response was:  “All because of the book you gave me!” Well, I think there’s more to it than that but it was fun to hear from Chip. Below you can Coach Chip and the book I gave him… It was a first edition of Dean Smith’s Basketball: Multiple Offense and Defense.